Zambolis apartments

Zambolis apartments
For your holidays in Chania

Wednesday 31 December 2008

The coffee cup (Το φλυτζάνι)

If you're reading this on New Year's Eve, don't worry - the best place on a busy night on the streets like this one is one's own home. If there's nothing of value on TV, take a shower, pour yourself a glass of wine, open a pack of crisps and read at your leisure (if the kids let you)... HAPPY NEW YEAR!

It had been a while since Ira had been to a cafe. It was at Genie's request that they go out to celebrate - or commiserate - their new work contract. The package presented to them was in general terms quite satisfactory, despite the low pay rate: part-time, flexible hours, six weeks paid leave, and all the regular bonuses that Greek employers are expected to provide to their workers. It had all the elements to make it sound like a good offer, but there was only once catch: the salary was based solely on the basic pay rate, without taking into account the fourteen years Ira had already spent in the same job doing the same work; the new contract simply wiped them off her record. They were being paid the salary of a freshman just out of college. Genie, already struggling on a single salary, had already reached her credit limit. Autumn had set in and the tourist season was over. There would be very few other opportunities to pick up more work for the rest of the year.

Ira had always regarded her pay packet as dispensable. As a newly-wed, she declared to her husband that if he wanted to save any money for a new car, an exotic holiday or home renovations, he could do it from his salary; she was going to spend all of hers. After years of living an independent frugal lifestyle, Ira wanted economic freedom, which in her case, meant that her salary was to be spent, not to be put away for a rainy day. Whatever money she brought into the house, which was usually during the winter season, she would use on living comfortably. She paid all the household bills and did the weekly supermarket shopping, in the parsimonious manner of her single days. If there was anything left over, she chose to spend it on the little luxuries in life that boosted one's morale in the dull winter gloom that overtook the island in the shorter days. She took the children to the cinema every now and then, bought her author's latest novel, maybe a few trinkets from the 1-euro shop for the children. The fancy clothes and accessories in the window displays never caught her eye; the consumer society she lived in annoyed her. She hardly ever complained of headaches, but when she returned from a trip into the town centre, it was enough to bring one on. Her eyes hurt at the sights of the flamboyant lifestyles of her compatriots: obese women wearing low-cut jeans that spilled out of their flabby stomachs and fleshy thighs, their cracked scratchy soles sporting delicate swaroski diamante-studded strappy sandals, young people seemingly talking to no one, a hands-free clipped to their ears. She sometimes wished she could stay in the village and pay someone to run all those errands for her, to avoid seeing the worst in the people she lived amongst.

The beach still sported signs of being used: the deckchairs were still arranged in tidy rows in front of the beach bar, and there were quite a few people enjoying the late autumn sunshine. It was still warm enough to swim and sit near the sea, which is why Genie suggested the beach bar. They were both wearing long-sleeved cotton blouses and jeans, typical clothing for the season, but not the most appropriate attire for lounging around on a deckchair.

The cafe was built in the typical manner of the Mediterranean island beach bars. As it operated during the winter months, plastic transparent sheeting had been rolled down to keep the chilly evening air away from the indoor section and heaters had been placed in the central areas of the seating area. As it was a weekday morning, Ira was not surprised to find the cafe virtually empty, save one table where two women sat opposite each other, heads huddled together.

kalamaki 2008

They entered the indoor dining area. "Choose a table and I'll be back in a tick." Genie wanted to use the restroom. Ira chose a table next to the plastic sheeting, with a postcard view of the sea: rolling frothy waves lapping the shoreline, northern European tourists enjoying the sun, toddlers digging up the sand. All this would be gone in a month from now with the last chartered flight out of the island. The beach bars would close down, the deckchairs would disappear, along with the tourists, not to be seen again for another five months. The table was next to the one where the other two women sat. They had chosen the best seat with the best view, slap bang in the middle of the row of tables by the windows, away from the noisy footpath-less road where the traffic was speeding along in both directions. As she pulled out the chair, she looked across at the women and smiled, the customary manner of acknowledging the presence of other people in close range of each other in the same room.

Ira wondered why she always seemed to head for the left-hand side of a table whenever she went out for a drink or a meal. The women looked up at her as she took a seat, only momentarily stopping their conversation to check out the new customers, quickly turning their faces towards each other to continue talking about whatever they were talking about before Ira had caught their attention. Genie had not yet returned from the ladies'. Ira lowered her gaze, so that she did not seem to be staring at the other women. She put her handbag on the chair beside her. Then she picked it up again, making herself stand out a little, like a fidgeting madwoman,and rummaged through it to find her cellphone. She was not expecting a call, nor did she want to make one. In fact, her mobile rang on average twice a week; only her husband called her. She left the phone on the table, and thought about where she should place her handbag again, estimating where Genie would most likely want to sit: probably in the chair opposite her where she would also have a view of the last of the summer suntanners. Ira sat on her own for a few minutes, her face still sporting the smile she had greeted the women with.

They paid no attention to her. Ira had a side view of the woman closest to her, who was rather overweight. Her hair had a glint of red shine to it; despite her age, her hair was pinned back with a fashionable hairpin, the kind that young girls like to sport on their youthful healthy locks, zirconias gleaming at one end in the shape of a daisy flower. This was in complete contrast to the other woman whose hair was short and grey. Her body and clothes matched her tired wrinkled looks, even though she did not look old, maybe in her early 40s. She was a bag of bones, hardly a layer of fat anywhere on her body, a fragile hand holding a glass of frappe coffee, her elbow resting on the table. She wore sunglasses, even though they were indoors. They were both dressed in black top to toe.

A peroxide blonde wide-hipped waitress, hips and tummy exposed over tracksuit pants and a tight pink lycra top came to take Ira's order. She was not carrying a menu card, which was not unusual; two women coming into a cafe at this hour could only be having something similar to what the other two women were having, coffee or fruit juice, something to keep their hands busy while they chatted about nothing in particular, something to pay for the time that they would be spending in the cafe. A drink at a cafe on a Mediterranean island is kind of like paying rent to the cafe owner for letting you enjoy a picturesque view from a prime location. Genie had asked Ira to order a frappe for her.

"A decaf frappe, metrio, no milk, and..."

Ira hesitated. She rarely visited such establishments, preferring her home-made coffee over any other. She was feeling uncomfortable; she didn't know the modern names of the cafe coffee varieties. What was that coffee called, the cold version of a long cool frappe that wasn't made with instant powder, and had a creamy frothy topping? She had been longing to have one of those coffees at a seaside cafe just like the one she was sitting at now, but whenever she had been anywhere near a place like this with her husband, she was always accompanied by her children. Long cool drinks cannot be imbibed in the relaxed manner warranted when there are two primary schoolers constantly attracting her attention.

"... a frey-chee-no?" She spoke softly, the syllable coming out spluttered, as she sensed a rising tone in her voice, a clear indication that she did not know how to ask for what she wanted. This was probably how her parents felt when they first emigrated, not when they ordered a restaurant meal (did they ever go to a New Zealand restaurant, Ira wondered), but when they asked the grocer for simple things like tinned cornbeef (kobif) or milk tokens (milkadockas).

"And an espresso." The waitress repeated what she thought she heard. "Anything else?"

making greek coffee

"Elliniko," she replied, "not an espresso." The waitress did not even bat an eyelid; she probably thought Ira was a foreigner (she still retained a hint of foreignness in her Greek accent) and didn't know how to ask for a Greek coffee. Ira felt like a fraud for not trying to ask for that fredduccino or freddo cappucino, or whatever it was called, making it sound as though the waitress had misunderstood her, and not the other way around.

Whatever. Ira decided not to try asking again for an ice coffee, lest she expose more ignorance on her part of modern cafe parlance. Genie had returned, and sat where Ira had predicted she would. Ira still had a clear side view of the obese woman, and a full facial of the gaunt-faced one. The fat one now moved her chair and sat face to face with the thin one; her view of the sea was not obscured, but she would have to turn her head by ninety degrees to have a better view of it. Her rather large posterior faced Ira.

Genie took out her cigarettes. "So that's it, then?" she sighed, her voice bringing Ira back to her own preoccupations, forgetting about the women on the other table.

"I guess so. I'm not happy about it," she lied, "but I suppose it's better than being unemployed." Her last sentence was not a lie. Life on a Mediterranean island was tough during the winter. Most people worked seasonally all year round, doing very different work from one season to the other. The hotel owners would all be managing their olive fields in the winter, which could take them right up to the beginning of the next tourist season when the hotels opened up for business again. Ira and Genie would be employed on steady hours for the whole year round. Everyone thought that their job was perfect. They would not have to pick up the dole during their unemployed period, their hours were flexible, the pay was standardised. They never worked evenings and their work environment was pleasant. In the opinion of the townspeople, they had a very good job.

proofreading

When people asked Ira what she did for a living, she would often reply 'cleaning lady.' And in fact her job did entail cleaning in a sense. She proofread and corrected other people's writing, re-wrote whole segments of theses written by science graduates, translated from Greek to English and English to Greek. She had even acted as an interpreter at a conference once. She was polishing other people's English skills, sweeping up their grammar, cleaning their spelling, decorating their vocabulary. She felt more comfortable explaining to her acquaintances that her job was similar to theirs, which was usually shop assistant, farm worker or cleaning lady. She felt it earned her more empathy from the local people, most of whom hadn't finished school, let alone earned a university degree.

"We're a scientific research centre, not an English school," her boss had pointed out in their meeting that morning. "We could do away with English lessons altogether, as most other research centres have already done." Ira was not perturbed by the thought that she could be out of a job; her husband made enough to keep the family. It was Genie who was in financial turmoil.

The fat woman stretched out her arm to the table to reach what looked like a fruit cocktail, her long manicured fingers swaddling the delicate glass. Ira's view of orange juice served at a cafe bar was based largely on the fact that her husband's orange groves were not profitable as the costs of maintenance and irrigation were higher than the money earned from them. The orange industry on the island was running at a loss, while tourists were paying three euro for a glass of freshly squeezed orange juice.

"You know you're better off than me," Genie continued. "You're married. Your husband can support you. I'm on my own, up to my ears in debt. There are times I can't even afford a bus ticket!" She offered Ira a cigarette, even though she knew that Ira didn't smoke; it was part of Genie's friendly generous character. Ira had always liked her, despite the completely different lifestyles they led. She lit her cigarette and inhaled. As she let out the smoke, she seemed to be relieving herself of the built up pressure she had been facing at the prospect of being jobless. "Does your husband ever expect you to help out in the household expenses, Ira?"

She knew about Genie's ex, how he left the unpaid bills on the bed, poured all his profits into his business, and went bankrupt, which, according to Genie, was the cause of their permanent separation. Meanwhile, Genie was always dressed in the latest fashion, sporting all the appropriate accessories to match, never cooked at home, and spent a fortune on telephone bills to her family abroad.

"I pay what I can." Ira did not like to admit that she paid everything. It would sound unbelievable. "I guess having a vegetable garden helps." The two women lived on different tangents of the same world. Ira's was all about orange and olive trees, an organised kitchen, a well-stocked deep-freeze, no takeouts, and a cheap taverna meal out only once in a while. She kept her thoughts to herself. The coffee session did not have the celebratory nature it was supposed to to have. Genie was in one of her moods, while Ira, as usual, looked unruffled.

to flitzani the coffee cup

The waitress came with the coffees. She placed them deftly on the table. "Stin iyia sas." They both smiled.

"Hey, I thought you didn't like Greek coffee." Genie was quick to point out that one in her loud American accent. Genie had been working with her well over a decade; she only ordered hot instant coffee from the canteen at work, even in the summer, which most people found unusual.

"Isn't the view marvellous?" Ira decided to try out a new direction in the conversation, her voice sounding a fraction of decibel higher than Genie's. The women sitting opposite them seemed to have heard her, for they had raised their heads to look out the window, in search of what it was Ira had seen that looked noteworthy.

Ira brought the demi-tasse close to her lips, its smoky smell overtaking her sense of smell. It had been freshly brewed, the frothy layer was unbroken, the heat of the coffee drifting onto her hands as she held the cup. She took a small sip, feeling the powdery residue of the coffee on her tongue, as she reminded herself not to drink it too quickly, even though she liked her coffee hot. When she had first come to Greece, her Athenian cousin had taken her to a cafe, and ordered her a frappe. Despite the fact that it was the middle of winter, Ira had drunk it all within the space of a quarter of an hour, what she had been used to doing on a coffee break at work in New Zealand. Her cousin exclaimed in a horrified tone: "Well now that you've drunk it all, what are you going to do for the next two hours here?" Going out for a coffee in Greece was not the same as having a coffee during a work break.

Genie was harping on about her expenses. "There's DEH, OTE, and the water bill, they're pretty much standard every month. Hang on, there's my cellphone, that's standard, too. Take out food, bus fare, cabs, they're weekly. Then there's a wedding or baptism present every fortnight" - Genie mixed in much wider social circles than Ira, despite her single status - "and a meal out every Friday with the girls." More unattached wannabe-married drop-outs, Ira thought. "Don't you go out with your family for a meal once a week, Ira? We always went out for dinner once a week in the US. It's so depressing staying indoors all the time, eating alone."

Ira felt sorry for her. She had been in the single position for many years, and knew how Genie must be feeling: tired of being alone, embittered about not getting any younger, wondering if there will ever be a Mr Right. "I know how you feel, and you should get out more. I'd hate to be cooped up in an apartment all alone every night." Most of all, she hated the thought of living in an apartment. She had lived a semi-privileged life, never having to live in a house without a panoramic view of the city. Even in the days when Ira was renting an apartment in the middle of town, her view of the sky had never been obscured. It was a priority for her on equal terms with price.

"At least you're not renting," Ira reminded her friend. Genie was lucky to own her own home. Her rich Greek American parents had gifted her an apartment near the sea - alas, it faced the sea - when she first met her ex. When the relationship ended, Genie ended up with a home and guilty feelings about moving back to the States after her parents' sacrifices. Ira found it difficult to relate to Genie's tirades regarding her financial turmoil. Her own home was acquired through the hard work of her husband and her own frugality, as they had built a house on top of his own family home without taking out a loan. An open-plan kitchen-cum-living room was where they spent their first night as newly-weds, adding to the basic construction when their savings permitted. As she listened to Genie's rants, she watched the blackrobed women from the corner of her eyes. The skinny one was waving her hands in the air, in a descriptive gesture to emphasise a point she was making, while the chubby lady was nodding her head in sympathy.

to flitzani the coffee cup to flitzani the coffee cup

Ira had almost finished her Elliniko while Genie hadn't even reached half-way down the frappe glass. Ira felt it her duty to keep picking up the demi-tasse, even though it was practically empty. It gave her something to do with her hands. She noticed that the other women had not finished thier drinks, making her more conscious of her abnormal behaviour in an environment that she had never become familiar with in the way she thought she would when she first came to live on the island. Everyone she had met knew frequented cafes, everyone except herself that is, and she wondered at the time whether this would come in time for her, as a natural consequence of living in the place, or if she herself had to make an effort to be known amongst the circles of friends she had made from work to invite her out. For some reason, they never did. She had never worked out the answer to that riddle. Apart from feeling alone during the holiday and festive periods, it didn't really bother her; she loved being alone. Even now as a wife and mother, she recalled her quieter days with a hint of nostalgia.

to flitzani the coffee cup

Out of habit, Ira brought the demi-tasse to her lips. The muddy residue of the powdery coffee left a furry feeling on her tongue. She quickly withdrew the cup from her mouth and was about to set it on the saucer when she changed course mid-air. She swirled the coffee cup around a few times so that the coffee grounds were unsettled and had stained half the side of the cup a dirty brown to its mid-point. She proceeded to upturn the cup onto the saucer, the muddy mixture pouring haphazardly over the saucer. She had never done this before, and was glad that the coffee grounds did not spill over the saucer and dirty the tablecloth, because she would have looked ridiculous.

"Hey, I didn't know you read coffee cups!" Genie laughed. "What can you see in it?"

When Ira did drink Greek coffee, which was very rarely, she usually let the coffee grounds settle at the bottom of the cup, so that it would make it easier to dispose of them. They often stuck to the dish rag, which needed to be rinsed a few times to make sure that they were flushed away. This time, Ira picked up the cup carefully, uprighting it so that the patterns made by the coffee grounds were not spoiled, and could make a convincing prediction.

*** *** ***

Genie had always been a little wary of her colleague. Ira had the look of a submissive wife, but she could be totally unpredictable at times. When Ira had gotten married, she didn't invite anyone from the office. Her colleagues only found out when she asked for leave to take a belated honeymoon. She kept her private life to herself, but she had a very welcoming nature. Every week, she baked a cake or some biscuits and shared them among the office staff. Her husband, a rather attractive man who looked more Scandinavian than Cretan, seemed the exact opposite of Ira: his manners were refined, his outlook sensitive, his dress sense fashionable, which is why Genie was surprised to learn that he was a taxi driver. Being a regular taxi customer, Genie wondered which taxi rank he frequented, as she had never had the pleasure of being chauffered by him.

For all her plain looks, Genie knew that Ira wasn't as simple as she made out to be. She dumbfounded the whole office once again at a work-related function, when she appeared to be rubbing shoulders with the manager of the biggest bank in the town. She had pots of money but never made a show of it; she never wore make-up, her clothes seemed to hang on her like used paper bags, and her car was full of dings and dents. She could never figure out what it was that made Ira hide behind a screen. Despite her short stout stature, her face was unblemished, giving her a youthful look. Even though she was considered chubby, she didn't exhibit the bulge factor, which was already creeping into Genie's contours, marking a quicker passage of time. A fresher, more exuberant Ira was slowly revealing herself during their meeting, as if the blight that had passed over Ira was starting to fade.

to flitzani the coffee cup to flitzani the coffee cup

"I hardly drink enough Elliniko to be an expert in it," Ira replied quickly, "I like the fun of it." Ira was smiling, something she did not often do, as she stared into the cup.

"I wish we could sometimes know what the future holds for us." Genie was being whimsical. Her financial dilemmas dominated her mind most of the time; what she would do to receive advance notice of her financial situation next year. She had thought about going to a fortune teller, but the cost was simply prohibitive for her at the time.

"You know something," Ira spoke confidently, "I think this coffee cup is telling me your future, Genie, not mine." Ira's studious face brightened up suddenly, smiling full of glee. Her eyes were making quick movements back and ofrth as she surveyed the cup. Genie was slightly startled by her friend's illogical rambling, a woman who had built her whole life on sound reasoning, never overspending her credit card limit, washing dishes by hand to save energy. Among the other staff, she had earned the reputation of a hard liner, which is possibly what had kept her aloof, slightly distanced from her peers. She had shocked the office with her opinion about the evil eye, after having made it abundantly clear in her own astute way that no one can ever mathisaso her because, in her own words, 'there is no such thing'. The evil eye was one tradition that even the most open-minded locals who had rid themselves fo the shekels of popular culture preferred to maintain, as a convenient cover for their misdemeanours.

"Oh, you had that coffee," Genie reminded her. "That can't be my life in there," she added, her voice indicating that she did actually hope the coffee cup would bring good tidings for her, even if only as a morale booster.

"Yes, but..." Ira's voice trailed off as she grimaced, bringing her furry eyebrows together. "I'm happily married, and this cup's showing love. Look for yourself. There's a heart-shaped mound of coffee grounds. Θα ερωτευτείς, Genie!" Ira sounded excited, her voice was slowly rising in both tone and pitch.

Genie looked inside the cup. Ira wasn't making itup; the coffee grounds had indeed made the shape of a near-perfect heart. Ira can't have created it herself. The coffee cup had been upturned in the space of a couple of seconds; surely Ira had nothing to do with where the grounds stuck. She was intrigued to find out more, still unsure of whether to take the whole scene seriously.

"So who I am in love with?" she asked.

Ira had not taken her eyes off the cup. "There's a large vacuum of space above the left-hand side of the heart, see here?" She pointed to a white space where the grounds had left very little of their residue. "This probably signifies the period of time that you've spent alone since your relationship broke up." Ira looked up at Genie. "This is your cup, Genie. I never had an in-between relationship period in my lovelife. My husband was the only one."

This was all too credible for Genie. She now fully understood Ira's relationship with her husband; the poor man was probably scared of his own shadow in her presence. Her mind wandered to her ex, Kosta, the manwho stole her heart, the only one in her eyes, the love of her life. She had still not gotten over his leaving. In any case, she couldn't have left him, since they were living in her house. Despite his monetary shortcomings, Kosta's bedroom antics were unsurpassable, at least in comparison with her former boyfriends in the US. Kosta epitomised the Greek lover she had dreamed about and hoped to find when she first came to Greece.

"Can you see the tree beside the empty space?" Ira pointed to the zig-zag lines branching downwards to the centre of the cup. Θα γίνεις πλούσια! Genie, he's got money!"

It was not unusual to switch between Greek and English in everyday conversation among the ex-patriot community. Most of the time, native English speakers with a Greek background conversed in English, switching to Greek when they couldn't think of the word they wanted. Sometimes the exact meaning couldn't be translated because it reprented a different concept in one or the other language and could not be expressed without sounding over-wordy and explanatory. The idea of 'privacy' was a classic example of a word that did not have a good Greek equivalent, and Ira seemed to have completely forgotten that this conversation was extending beyond the borders of privacy with her booming voice resonating in the near-empty cafe. What would the people around them be thinking? Greek was however a perfect lingusitic choice for reading το φλυτζάνι; it seemed most befitting that Ira should perform this task in the appropriate language, lending her predictions credibility.

Genie's thoughts were interrupted by a chair behind her bumping into the one she was sitting on. She turned round to see if she was in anyone's way and noticed an extra-large woman moving her chair so that she was back to back with Genie, making her feel slightly uncomfortable scrunched up close to the table. Genie moved her chair slightly.

"Τί άλλο, τί άλλο...," Ira was beginning to sound like an experienced cup reader. Had she really not done this before? She was staring intently into the cup, and had now swtitched to speaking Greek to express her predicitons.

"Aaaaah," Ira's voice was sounding a tad too loud, given the atmpsphere of an empty cafe. She could be heard by the counter staff, as well as the next table. "Κρίμα, θά'νε γέρος!"

"Hey, I don't care how old he is," Genie was just beginning to enjoy herself at this point, made apparent by her own language switch to Greek. "Just as long as he's rich!" They both exploded into laughter.


Genie was just about to ask Ira how the age factor of her future lover had shown up in the φλυτζάνι when she heard a scuttling noise coming from behind her, as the chairs from the next table scraped across the tiled floor. Genie pressed her body - mainly her midriff which had the shape of a bulgy spare tire - to the table. The women behind her were getting ready to leave. The overweight woman was hurriedly tossing her possessions into her bag.

They other women were still in the cafe as Ira's voice reached a crescendo with what was to be her final prediction.

"And he's gonna die three years after you marry him" - she was now speaking embarrassingly loudly - "but you inherit everything!"

*** *** ***

The fat woman glanced at Ira, who was smiling self-confidently, her face returning to her normal serene level. "ΣΚΥΛΑ!" she cried, clutching her bag close to her as she raced ahead to catch up with the other woman, who was of course much quicker than herself, being only a third of her weight. Genie watched the scene unfolding before her eyes with a dumbfounded look. She wasn't sure who to look at first: the odd-looking pair of black-clad women racing out of the cafe, the stunned cafe staff, or her friend, who sat motionless, unperturbed by the events that had just unfolded before them.

"Who was that meant for?" Genie finally asked, after what seemed like an hour, but was in fact only a quarter of a minute. "Did you know them?"

Ira kept smiling as she watched the immense posterior of her late father's wife crashing against the chairs as she made her way to the exit with her sister; she had not seen or heard from the woman since her father's death, although word had spread via relatives that her mother had died a few months ago. Ira shrugged her shoulders, shook her head and frowned. "I must have touched a raw nerve somewhere," she said, as Genie stared at her incredulously.

The coffee grounds had now subsided, distorted by whatever moisture had been left in the cup; the storm had passed.

Genie interrupted the brief silence. "So, what exactly do I inherit?" she inquired.

And this one is for Aris, who helped me finish the story.

©All Rights Reserved/Organically cooked. No part of this blog may be reproduced and/or copied by any means without prior consent from Maria Verivaki.

Monday 29 December 2008

Broccoli pasta bake (Μπρόκολο με ζυμαρικά)

Our winter garden can only be deemed a success - never before have I seen large unblemished heads of broccoli and cauliflower, bursting out of their leafy homes, growing in the damp December soil of the Cretan earth. This garden fresh produce has replaced our regular weekly serving of stamnagathi salad. The only problem is that we planted them all at the same time, and can't eat them as quickly as they grow, meaning that some have been given up to very appreciative neighbours.

december garden hania chaniabroccoli cauliflower

Broccoli doesn't need much cooking time when it is boiled and eaten as a salad, as it contains a lot of water and becomes mushy when overcooked. We started off eating it as a plain warm horta-style salad, flavoured with the typical Greek oil, lemon and salt dressing. A very pretty version of this is to mix cauliflower and carrots with the broccoli.

winter salad

Broccoli is also a great addition to a stir-fry, since it doesn't need a long cooking time, and stays crispy: the less broccoli is cooked, the more its antioxidant value and Vitamin C content are retained.


Wild black mustard: a relative of broccoli. Considered a weed by most people, it's edible.
broccoli

Broccoli is a perfect match for cheesy pasta sauces. It has a leafy taste similar to horta, it's practically odourless (compared with cauliflower) and its greeny-blue colour blends well in a macaroni hotpot. The Romans were most likely the first to grow broccoli, hence their Italian name. Broccoli is related to the cauliflower (which it resembles very much, save the colour) and the cabbage, but it also related to a largely unknown leafy green: wild mustard. The shape of the leaves of the mustard plant resemble the broccoli's, and the flowers of the mustard plant look very much like tiny heads of broccoli. Wild mustard grows profusely in Crete, and those who know it use it as a leafy green in various dishes.

A search through the internet for pasta broccoli recipes reveals that pasta-broccoli dishes are one of the more kid-friendly green meals. Apparently a broccoli pasta hotpot freezes well, but it's very simple to make when you have some fresh broccoli on hand, as it uses mainly kitchen staples like milk, cheese and pasta. You can also add other bits and pieces to spice it up a little. My version includes spicy sausage.

broccoli pasta

You need:
500g pasta of your choice: I used a mixture of cheese-filled tortellini and penne
a small head of broccoli, cut into florets: I also used the tender parts of the stalk, sliced thinly
a few tablespoons of olive oil: in Crete, we use a lot more than that
a large onion, chopped small
2-3 cloves of garlic, finely chopped
1 small ripe tomato, pureed
1 spicy sausage, cut into very thin slices
a cup of grated cheese
500g of milk: non-fat milk won't work very well; you can use cream, but it's more fattening
1-2 tablespoons of mustard
salt and pepper

broccoli pasta broccoli pasta

Bring a large pot of water to the boil and add the broccoli and pasta. Cook for 10-12 minutes, then drain well. While this is happening, heat the oil and saute the onion and garlic till translucent. Add the sausage and cook till heated through. Mix in the mustard and tomato (these two ingredients are optional, but they lend a spicier taste to the finished dish); season with salt and pepper. Mix the sausage with the cooked pasta and broccoli till well blended. Pour into an oven-proof dish, and mix in the cheese. Pour the milk over the pasta and bake for half an hour, till the milk turns into a sauce and the cheese has melted.

This is my entry for Weekend Herb Blogging, hosted by Haalo of Cook (almost) Anything.

©All Rights Reserved/Organically cooked. No part of this blog may be reproduced and/or copied by any means without prior consent from Maria Verivaki.

Saturday 27 December 2008

The Cretan farmer's carol (Τα κάλαντα του Κρητικού αγρότη)

On the first day of Christmas,
My neighbour gave to me
A bag full of bright green bro-ccoli.

broccoli cauliflower

On the second day of Christmas
A cousin gave to me
TWO cauli-FLOW-ers
And a bag full of bright green bro-ccoli.

december garden hania chania

On the third of Christmas
An auntie bid to me
Three pome-GRA-nates
TWO cauli-FLOW-ers
And a bag full of bright green bro-ccoli.

rodi rogdi pomegranate

On the fourth day of Christmas
A stranger gave to me
FOUR bags of horta
Three pome-GRA-nates
TWO cauli-FLOW-ers
And a bag full of bright green bro-ccoli.

stamnagathi

On the fifth day of Christmas
My husband brought to me
FIVE SUCK-ling PIGS!
FOUR bags of horta
Three pome-GRA-nates
TWO cauli-FLOW-ers
And a bag full of bright green bro-ccoli.

pig pork

On the sixth day of Christmas
We were TREA-ted to coff-EE
And SIX turkeys gobbling
FIVE SUCK-ling PIGS!
FOUR bags of horta
Three pome-GRA-nates
TWO cauli-FLOW-ers
And a bag full of bright green bro-ccoli.

curing green olives for brine

On the seventh day of Christmas
We had lunch with some friends
And SE-ven bags of olives
SIX turkeys gobbling
FIVE SUCK-ling PIGS!
FOUR bags of horta
Three pome-GRA-nates
Two cauli-FLOW-ers
And a bag full of bright green bro-ccoli.

free range hens

On the eighth day of Christmas
The village people sent me
EIGHT hens a-clucking
SE-ven bags of olives
SIX turkeys gobbling
FIVE SUCK-ling PIGS!
FOUR bags of horta
Three pome-GRA-nates
Two cauli-FLOW-ers
And a bag full of bright green bro-ccoli.

quince spoon sweet kydoni

On the ninth day of Christmas
I don’t know who dropped by
With NINE jars of kydoni
EIGHT hena a-clucking
SE-ven bags of olives
SIX turkeys gobbling
FIVE SUCK-ling PIGS!
FOUR bags of horta
Three pome-GRA-nates
Two cauli-FLOW-ers
And a bag full of bright green bro-ccoli.

old potatoes

On the tenth day of Christmas
A gypsy tried to sell me
Ten bags of old potatoes
NINE jars of kydoni
EIGHT hens a-clucking
Seven bags of olives
SIX turkeys gobbling
FIVE SUCK-ling PIGS!
FOUR bags of horta
Three pome-GRA-nates
Two cauli-FLOW-ers
And a bag full of bright green bro-ccoli.

quince persimmon pomegranate

On the eleventh day of Christmas
From the kitchen door I see
E-LE-ven per-SI-mmons
Ten bags of old potatoes
NINE jars of kydoni
EIGHT hens a-clucking
Seven bags of olives
SIX turkeys gobbling
FIVE SUCK-ling PIGS!
FOUR bags of horta
Three pome-GRA-nates
Two cauli-FLOW-ers
And a bag full of bright green bro-ccoli.

askolibri

On the twelfth day of Christmas
I was at a jamboree
With twelve bags of ascrolimbi
E-LE-ven per-SI-mmons
Ten bags of old potatoes
NINE jars of kydoni
EIGHT hens a-clucking
SEven bags of olives
SIX turkeys gobbling
FIVE SUCK-ling PIGS!
FOUR bags of horta
Three pome-GRA-nates
Two cauli-FLOW-ers
And a bag full of bright green bro-ccoli.

©All Rights Reserved/Organically cooked. No part of this blog may be reproduced and/or copied by any means without prior consent from Maria Verivaki.

Wednesday 24 December 2008

Merry Christmas (Καλά Χριστούγεννα)

Christmas is associated with the decoration of a tree all over the world, thanks to Queen Victoria and her prosperous England. This tradition has been imported into the culture of most countries, possibly replacing the more meaningful customs of the country that are associated with this time of year. Greece has a vry different Christmas symbol of its own.

christmas tree hania chania
The Christmas tree in Hania, in front of the Agora

One of the most meaningful traditional Christmas symbols of Greece is the ship. Greece has been a seafaring nation since ancient times, still boasting one of the largest fleets in present day maritime economics. The history of shipping is filled with unpleasant stories of ships being lost at sea due to adverse weather conditions, especially in the wintertime. Perhaps the Greek Christmas symbol has remained relatively unknown to the rest of the world because Greece is a summer tourism destination. If you came to Greece int he winter, you may think a boat has been decorated with Christmas lights as a kinky alternative to the globalised tree symbol...

christmas boat rethimno christmas boat
The Christmas boat symbol in Rethimno, another town located on coastal Western Crete, one hour away from Hania

At Christmastime, Greek people used to (and still do) decorate a toy-sized boat, lit up by an oil lamp burning away throughout the Christmas period (the Christmas holidays officially end in Greece on Epiphany, the 6th of January), as a shrine to the sailors in the family during the cold dark stormy days.

christmas boat hania chania
The ship, a symbol of Greek Christmastime

The ship is still used throughout Greece as a Christmastime symbol. It appears in the main squares of most towns, as well as shop windows and private homes and gardens. Hania maintains this tradition with an electrically-lit up boat in the main town square close to the taxi stand. Of all the Christmas decorations in the town (we're just as light-polluting as any other small town in the world), for me, this is the most beautiful.

*** *** ***

While we lived in New Zealand, my mother used to make kourambiedes, those shortcrust half-moon biscuits covered in icing sugar; we ate them all year round. I only discovered that they were traditionally served in Greece during the Christmas period (you can't even purchase them at any other time of the year), along with melomakarona (a honey dipped log biscuit topped with chopped nuts), when I ended up living here. She made at least 100 pieces per batch and we were instructed not to eat them, as they were to be served to any guest that came to our house, for whatever reason. When we had visitors, out popped the silver serving tray with a demi-tasse of Greek coffee, a dessert plate containing a melomakarono and a kourambie, along with a glass of water.

There are many recipes on the internet for kourambiedes. I make mine according to Anne Yiannoulis, as she describes in her Greek Calendar Cookbook, a book I've enjoyed using so much, that I was thrilled to hear that it is going to be re-issued some time in the near future by Lycabettus Press.

kourambiedes kourambiedes kourambiedes

Another traditional sweet of Greece at Christmastime, apart from melomakarona (mine are from Spitiko in Hania), is the Christmas tsoureki (mine is made by the Xiotakis pastry company), known as Χριστόψωμο (hristopsomo - Christ's bread).

melomakarona christmas tsoureki hristopsomo

During these severely troubled times in my country and around the world,
I can only hope that the Christmas Season will bring some peace in everyone's lives.

poinsettia
Last year's poinsettia survived its second Christmas

Wishing you all a Merry Christmas
with all the joy and happiness
associated with this time of year

©All Rights Reserved/Organically cooked. No part of this blog may be reproduced and/or copied by any means without prior consent from Maria Verivaki.

Monday 22 December 2008

The olive harvest (Στις ελιές)

What would Greece be like if it didn't have any olive trees? First of all, the fields would be bare: vast expanses of dry brown fields in the summer, damp green fields in the winter, absolutely useless terrain, good for taking a dog out for a walk while the person holding the leash jogs ahead of them. There also wouldn't be any olives to eat; instead of a few black olives in a Greek salad, there'd be a few capers, walnuts or almonds. And there'd definitely be no olive oil, so all our dishes would be cooked in water. Our food would taste a lot as Gilbert, a Jamaican soldier in WWII Britain, describes the food he ate in my favorite novel "Small Island" by Andrea Levy:

"...every last one of us was too preoccupied with food. The only flesh we conjured was the sort you chewed and swallowed. This was war. There was hardship I was prepared for - bullet, bomb and casual death - but not for the torture of missing cow-foot stew, not for the persecution of living without curried shrimp or pepper-pot stew. I was not ready, I was not trained to eat food that was prepared in a pan of boiling water, the sole purpose of which was to rid it of taste and texture. How the English built empires when their armies marched on nothing but mush should be one of the wonders of the world. I thought it would be combat that would make me regret having volunteered, not boiled-up vegetables - grey and limp on the plate like they had been eaten once before. Why the English come to cook everything by this method? Lucky they kept that boiling business as their national secret and did not insist that the people of their colonies stop frying and spicing up their food." (Read the next (very funny) paragraph, also related to food.)

Luckily for us Cretans, it was never like this.


(browning onion, kalitsounia fried in olive oil, gardoumia, dakos)

Throughout this month, there has been a flurry of activity in the olive growing sector in Hania. Some varieties of olives are ready for harvesting in early December - but only if they have received adequate irrigation, and most olive trees growing in the town are not artifically irrigated, which means we must wait for the rain to fall. Olive oil producers waited patiently for the rain needed to give the olives a final growth spurt, which, by the end of summer, had already formed into little hard drupes as hard as pebbles. It must have rained before the olives are picked; if it hasn't, the olives will be too dry to produce a good ratio of olive oil per kilo of raw fruit. But olives are never picked in wet weather - this would increase the water ratio in the oil produced, and give a lower grade olive oil. This winter was a particularly dry season. The rain finally made its appearance in mid-November, lasting about a week. As soon as the rain stopped, the heat was on: everyone involved in the olive trade in Hania frantically began to harvest their olives for oil.

morning olive harvest
The day starts off like this (yes, that's my hand on the steering wheel)...

Every morning, as I take the children to school, I drive by olive fields. On the road, I pass countless pickup trucks, olive picking gear in tow: large nets to lay under the tree (usually black or green), a beating rod, a generator, among other bits and pieces. This means that the olives to be picked will be beaten, not allowed to drop naturally. Certain varieties (the one we call tsounates in Crete) are allowed to fall on their own, hence the nets, which allow the soil to breathe. They are laid over the ground below the trees and the owner of the filed goes there about once a week to gather whatever crops have fallen. This process is time-consuming, and it does not work for the lianes variety of olive, which has a stronger stem holding it onto the tree.

olive harvest olive harvest
These nice young men (they were Albanian) were very obliging when I asked if I could photograph them. Their payment is often made according to the quantity of olive oil produced. This encourages them to work as fast as possible.

The nets are laid carefully under the trees and the beating starts. This was once done by hand with a large stick, but times have changed: a noisy diesel generator is now an essential element of the olive picking season. As each tree is shorn of its fruit, the nets are gathered up and the olives are poured into sacks, leaves and all at this stage. The sifting process was once done by hand, but this has now been made obsolete with high technology and the modern olive press: the olives are sorted mechanically at the factory. The sacks are piled onto the truck, to be delivered to the olive press. This process is repeated on all the trees. If the trees are close to the road, the nets are laid on the road. No matter how carefully you drive, sometimes you can't avoid driving over a net. This has happened to me countless numbers of times, as I live in a village setting with narrow country roads.


The olives - along with some of the leaves from the tree - quickly drop off the branches when they are beaten with an electric beating rod.


The olive pickers are mainly foreigners who have made their home in Greece: Albanians, Romanians, Bulgarians. They make good money doing this work; the owners of the fields are Greek, but they more often than not have another (main) job and cannot pick their own olives, not even as a part time activity, unless they literally have nothing else to do in their free time.

Our olive trees are no fun to work with at all...

Olive picking is a very tiring job, it must be done in its season and it is usually performed in cold weather. And it all looks like an easy job if your trees are on a level field; try picking them on a steep hillside, where each row of olive trees is on its own little strip of land, barely wide enough to walk by...

olive press leaves
The olives are usually taken to a privately owned olive press located near the area they were picked; this one has a lot of customers waiting for their olives to be pressed. Notice the leaves on the left hand side of the building: they are used as fertiliser and a fire starter. Olive oil production also leaves sludgy residues which have to be disposed of in an environmentally friendly manner; it's not all as clean as it looks...
olives in sacks waiting to be processed into olive oil hania chania runoff from olive press

The olive trees get quite a beating from this rod (beating them by hand is very time-consuming and tiring, but much gentler the tree; it is hardly ever done now). This creates one more job for the olive pickers: the broken branches need to be cleared away from the field. This is what happen in the field before the olives get processed in the olive oil press. That's a totally different story. Check out Jude's blog to see the fresh olive oil pouring out of the press. What a sight...

olive grove after harvest
The end of the day - the olives have all been picked off these trees, and only the broken branches remain...

MAICh carries out a lot of research on olive cultivation, olive oil processing and the adulteration of olive oil. The findings are just as depressing as

"Greece devotes 60% of its cultivated land to olive-growing. It is the world's top producer of black olives and boasts more varieties of olives than any other country. Greece holds third place in world olive production with more than 132 million trees, which produce approximately 350,000 tons of olive oil annually, of which 75% is extra-virgin. This makes Greece the world's biggest producer of extra-virgin olive oil, topping Italy (where 40-45% of olive oil produced is extra virgin) and Spain (where 25-30% of olive oil produced is extra virgin). About half of the annual Greek olive oil production is exported, while only 5% of this quantity reflects the origin of the bottled product. In other words, only 5% of the Greek olive oil is exported as a trade mark and the rest is exported as a raw material while being processed and bottled in different countries, mainly Italy. Greek exports primarily target European Union countries, the main recipient being Italy, which receives about three-quarters of total exports" (MAICh study on organic and conventional cultivation of olive, 2008).

So there you have it, in a nutshell: Greece can't even be bothered to make an effort to market its own natural resources. The next time you buy olive oil bottled in Italy, you know where it's really from: Greece. Yet, there is hope: advances in knowledge and technology have led to greater success in the fight against adulteration of olive oil; progress in DNA technology can now detect whether olive oil is purely from one region as well as being able to identify purely extra-virgin olive oil and adulterated oil mixtures (ie olive and non-olive oil mixes).

©All Rights Reserved/Organically cooked. No part of this blog may be reproduced and/or copied by any means without prior consent from Maria Verivaki.